Maxim Mamsikov 1968

    The basis of the pictures is the view of the photographer: «snatched» moments of life, perspective distortion, fragmentation, hyperrealism. He is attracted by moving objects (balloons, flounces, sports, cars). Works that inherit pop art aesthetics, are characterized by laconic space, palette – by contrast and whiteness of tone. Participant of Kiev Biennale Arsenale (2012), Odessa Biennale of Contemporary Art (2013).

    • Maxim Mamsikov


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